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TV Shows We Used To Watch - Spitting Image 1984-96 latest news on celebrities
Image by brizzle born and bred I miss Spitting Image as it gave us the weeks news with far more honesty than we see in other media formats. Best show on telly for quite a while. It is a tragedy that it was off the air in the Blair years. www.youtube.com/watch?v=O1dsD9aG1ik As a show that is heavily reliant on topical news of the week in which it aired, it is probably fair to say that Spitting Image hasn't aged brilliantly over the years. While a lot of the content can still be relatable or iconic enough for first-time viewers today to enjoy, there are some elements - especially regarding politics - that could easily go over the heads of people who aren't clued up on the 1980s government. This is probably why you don't see Spitting Image repeats very often, which is a shame, as it is a great document of how satirists saw the world at the time, rather than a retrospective look back decades later. As an Arena documentary about Spitting Image airs on BBC Four, Dominic Cavendish argues that we should be fighting to get the latex puppets back. I call them the “lost generation”. Many of those reaching voting-age this year will have been born after the last episode of Spitting Image aired on February 18th 1996. These tragic teens have emerged into political consciousness in the absence of the finest and funniest TV satire series this country has ever seen. What hope can the poor lambs have of being clued up about who’s running the show and pulling the strings? www.youtube.com/watch?v=Doi1U7I1CyU OK, I jest. A bit. But the commemoration of the 30th anniversary of Spitting Image’s first broadcast on February 26th 1984 brings home not only how instructive and entertaining it consistently was but what a wilderness followed its departure. True, Have I Got News for You continues to rumble on â€" 23 years it’s been going. Mock the Week makes useful topical swipes. And in the digital sphere, abundant Twitter gags and viral YouTube pranks such as the 2012 Nick Clegg Apology Song suggest that the masses are newly empowered to cock a snook at their “masters”. Yet ITV’s Spitting Image garnered audiences of millions, aimed to rally the widest constituency on mainstream terrestrial TV and could be truly, madly, memorably horrible. Politicians of the time have often said that they were actually pleased when they were given their own puppet, as it turned them into a household name when normally they would fade into the background (like a lot of MPs today). In the mid-1980s, a regular Spitting Image viewer could probably name Margaret Thatcher's entire cabinet. You'd be forgiven for only knowing about four of David Cameron's team. Thatcher was probably the most iconic puppet from the series, and the classic "vegetable" sketch is perhaps its most well known moment. John Major, the royal family, Ronald Reagan and celebrities including Jeremy Paxman and Paul Daniels were just some of the best puppets on show in the series on a regular basis. www.youtube.com/watch?v=8ZntXyindCs Spitting Image is a British satirical puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. The series was produced by 'Spitting Image Productions' for Central Independent Television over 18 series which aired on the ITV network. The series was nominated and won numerous awards during its run including 10 BAFTA Television Awards, including one for editing in 1989, and even won two Emmy Awards in 1985 and 1986 in the Popular Arts Category. www.youtube.com/watch?v=xujHlWzWW98 The series featured puppet caricatures of celebrities prominent during the 1980s and 1990s, including British Prime Ministers Margaret Thatcher and John Major and other politicians, American president Ronald Reagan, and the British Royal Family; the series was the first to caricature Queen Elizabeth The Queen Mother. The series was cancelled in 1996, after viewing figures declined. ITV had plans for a new series in 2006, but these were scrapped after a dispute over Ant & Dec puppets used to host the reviews "Best Ever Spitting Image", which were created against Roger Law's wishes. Blessed with Peter Fluck and Roger Law’s ingeniously cruel caricature puppets, it combined knockabout Punch and Judy visuals with gobby verbals. It refused to treat its audience as dummies, reacting quickly and cleverly to the news. And while it was unafraid of the richest, most famous and powerful â€" even making contentious fun of the Royal Family - it didn’t baulk at shining a light on the lesser-known for fear of seeming obscure. Indeed obscurity could even become a running-gag â€" witness the damning representation of Employment Secretary (1983-85) Tom King as “The Invisible Man”. Before the first episode was broadcast, the parodies of the Royal Family were cut, as a courtesy to the Duke of Edinburgh, who opened the East Midlands television centre a few days later. The scenes were however all reinstated in later episodes. The first episode had an audience of 7.9 million, but numbers rapidly dropped, which meant economies had to be introduced since the series cost £2.6 million, which was nearly double the price of other prime time series. The series had been scheduled to have 13 episodes but was cut back to 12, after the series was nearly cancelled. Rob Grant and Doug Naylor were then brought in as head writers to save the show. By 1986, under their supervision, Spitting Image had become popular, producing a number one song on the UK Singles Chart ("The Chicken Song"). However, Grant and Naylor subsequently left to create Red Dwarf for BBC2. Spitting Image had a short-running dispute with the Independent Broadcasting Authority (IBA) in 1985, over the use of subliminal images. www.youtube.com/watch?v=a4g0a7LaUUI When Margaret Thatcher resigned in November 1990, her successor was John Major. This marked a shift in the show's style, with the writers moving from the Punch and Judy style to more subtle and atmospheric sketches, notably a series in which an awkward John and Norma Major ate peas for dinner. The producers dressed Major, skin and all, in shades of grey. They invented an affair between him and Virginia Bottomley. The show added animated sketches from 1989 and again from 1994 (with short, animated segments before 1989). For the 1992 Election Special, a studio audience was used; this format was revisited for two episodes in late 1993. A spoof Question Time took questions from the audience. The 1992 show was fronted by a puppet Robin Day, a puppet Jeremy Paxman filling the role in the episodes broadcast on 14 November 1993 and 12 December 1993. www.youtube.com/watch?v=On-okY7cVhM The writers, Mark Burton, John O'Farrell, Pete Sinclair, Stuart Silver, and Ray Harris quit the show in 1993 and in 1995, and with viewing figures in decline, production was cancelled. The final series was in January and February 1996, with the final episode featuring "The Last Prophecies of Spitting Image" in which Labour moved into Number 10. A few years later, most of the puppets were sold at an auction hosted by Sotheby's, including a puppet of Osama Bin Laden never used in the series. During 2004, the idea of the series coming back started to appear after John Lloyd held talks with ITV executives about the show's return. John Lloyd also held talks with a number of people who voiced the Spitting Image puppets, including John Sessions, Harry Enfield and Rory Bremner, with all responding positively. www.youtube.com/watch?v=0FaH7ATXkWg Mr Lloyd commented, "There's enormous enthusiasm from ITV to do it. We're just trying to work out how it would be affordable. The budget is about to go off to ITV," he said. Everybody seems to have residual affection for Spitting Image. It could be scrappy and uneven, but it's rather like a newspaper. You don't expect it to be brilliant every time, but there's something delicious in every edition," Mr Lloyd said. By early 2006, ITV were producing a documentary celebrating the series and if the audience figures were good a full series might have been produced. On 25 June 2006, ITV transmitted Best Ever Spitting Image as a one-off special of Spitting Image which took a nostalgic look back at the programme's highlights. This special actually prevented ITV directly resurrecting the famous satire as they had planned, because it featured new puppets of Ant and Dec - a move which was against the wishes of Roger Law, who owns the rights to the Spitting Image brand. www.youtube.com/watch?v=I8adsL4rz18 In 2007 ITV created a CGI version to caricature and lampoon the famous, called Headcases.

BARACK HUSSEIN OBAMA ----------- JUST PATHETIC latest news on celebrities
Image by SS&SS WHAT AN ASS THIS MAN IS WHAT AN EMBARRASSMENT TO KENYA WHAT AND EMBARRASSMENT TO THE PRESIDENCY WHAT AN EMBARRASSMENT TO THE UNITED STATES OF AMERICA President Barack Obama’s appearance last week on “The View” was his third time on the show. He was scheduled to speak to the Boy Scouts of America on the same day that he taped “The View.” Obama is the honorary chairman of the organization, but he stiffed the scouts to go on a daytime TV talk show, and followed that up with fundraising events in hopes of fattening coffers for upcoming midterm elections. After the taping, Obama went to two ,000-per-person Democratic National Committee fundraisers in Manhattan, including one at the fancy residence of “Vogue” editor Anna Wintour, the woman who inspired the Meryl Streep character in “The Devil Wears Prada.” At a time when our men and women in the military are putting their lives on the line, millions of Joes and Janes are out of work and the nation is slip-sliding toward bankruptcy, it is beyond appalling that four Marine helicopters, a battalion of police and a slew of Secret Service agents had to be mobilized just so that Obama could sit down for a mid-morning chitchat with Barbara Walters and Joy Behar and give his sagging approval ratings an assist. Obama promised to bring change. I guess he has. But I venture to say there are probably not a lot of folks who thought that change would come in the form of lowering the dignity and stature of the presidential office to celebrity D-list level. Obama’s been bouncing from late-night TV studios to the daytime TV talk couch, not to mention using the phrase “I know whose a** to kick” on a morning news program. THIS IS WHAT THIS MAN HAS REDUCED THE PRESIDENCY OF THE UNITED STATES TO-------------I WONDER IF HE BOWED TO THE PRODUCER OF THE SHOW BEFORE GOING ON -----------BET HE DID --------------------------THE ASS

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Millennium’s Signature Styling celebrity style
Image by MillenniumLuxuryCoaches Sometimes you know you’re looking for a change, but not sure where to start. Other times, you may have ideas, but need help with designs or refinements, and in ultimately making them a reality. That’s where Millennium Luxury Coaches’ design team can lend a hand. Our Complimentary design consultations are the perfect no risk opportunity to talk to our professional interior designers about your unique ideas, and receive a host of possible options for your all of your specific requests. With thousands of fabric, wood, tile and accessories samples onsite, we make the process fast, easy, and fun.

Behind the Scenes with Avedaâ„¢ â€" Osklen SS14 â€" Mercedes-Benz Fashion Week New York Spring Summer 2014 â€" #MBFW #NYFW â€" September 17, 2013 â€" Creative Commons (cc) photos distributed by Mainstream via Aveda Corporation celebrity style
Image by goMainstream ███████████████████████████████████ Mercedes-Benz Fashion Week New York Behind the Scenes with Avedaâ„¢ â€" Osklen SS14 at MBFW NYFW ████████████ AVEDA CORPORATION Avedaâ„¢, The Art and Science of Pure Flower and Plant Essencesâ„¢, was founded in 1978 with the goal of providing beauty industry professionals with high performance, botanically based products that would be better for service providers and their guests, as well as for the planet. Aveda manufactures plant-based hair care, skin care, makeup, Pure-Fumeâ„¢ and lifestyle products. Aveda is available in Aveda stores, and in nearly 7,000 professional hair salons and spas in 29 countries worldwide. aveda.com twitter.com/aveda ████████████ DESIGNER On Wednesday, September 11th at 7:00 PM at The Stage at The Tents at Lincoln Center, creative director Oskar Metsavaht of Osklen debuted his women's Spring/Summer 2014 collection. For Spring/Summer 2014 Metsavaht takes inspiration from the cut, color, vibrancy and transparency of gemstones, translating these influences into a collection of innovative fabrications and original prints. The Osklen aesthetic represents the lifestyle of modern men and women in a world where the urban and the naturalistic, the global and the local, the organic and the technological co-exist. This balance is further exemplified by the brand's use of eco-friendly "e-fabrics". This season, Metsavaht utilizes ecological silk, formed by use of cocoons discarded by the industrial process and environmentally safe vegetable dyes. osklen.com twitter.com/Osklen twitter.com/osklenUSA ████████████ EVENT Mercedes-Benz Fashion Week New York Mercedes-Benz Fashion Week is New York City's single largest media event, taking place twice a year (February & September) at Lincoln Center, one of the most well known arts and cultural institutions in the world. The event provides top designers an international platform to showcase their collections to more than 100,000 industry insiders from around the world, including buyers, editors, retailers, celebrities, VIPs, and more. With more than 80 designers shows over 8 days, it is known as the premier event worldwide where style, beauty, supermodels, and celebrities come together to celebrate the best in fashion. mbfashionweek.com ████████████ PUBLICITY Photos added to the Creative Commons (cc) by Aveda Corporation aveda.com twitter.com/aveda ███████████████████████████████████ Images licensed with the following Creative Commons license on September 12, 2013 creativecommons.org/licenses/by/2.0/deed.en_CA ████████████ Mainstre.am Mainstream makes images available to the independent press, the mainstream press, open media such as Flickr, Creative Commons, and Wikipedia. We will soon launch with a service for content creators, publicists, and publishers around the world. mainstre.am ████████████ Contact Questions can be sent to: Tamara McCartney (Assistant Producer) twitter.com/tamaramccartney and Jason Hargrove (Founder) twitter.com/jasonhargrove jasonhargrove.com

Behind the Scenes with Avedaâ„¢ â€" Osklen SS14 â€" Mercedes-Benz Fashion Week New York Spring Summer 2014 â€" #MBFW #NYFW â€" September 17, 2013 â€" Creative Commons (cc) photos distributed by Mainstream via Aveda Corporation celebrity style
Image by goMainstream ███████████████████████████████████ Mercedes-Benz Fashion Week New York Behind the Scenes with Avedaâ„¢ â€" Osklen SS14 at MBFW NYFW ████████████ AVEDA CORPORATION Avedaâ„¢, The Art and Science of Pure Flower and Plant Essencesâ„¢, was founded in 1978 with the goal of providing beauty industry professionals with high performance, botanically based products that would be better for service providers and their guests, as well as for the planet. Aveda manufactures plant-based hair care, skin care, makeup, Pure-Fumeâ„¢ and lifestyle products. Aveda is available in Aveda stores, and in nearly 7,000 professional hair salons and spas in 29 countries worldwide. aveda.com twitter.com/aveda ████████████ DESIGNER On Wednesday, September 11th at 7:00 PM at The Stage at The Tents at Lincoln Center, creative director Oskar Metsavaht of Osklen debuted his women's Spring/Summer 2014 collection. For Spring/Summer 2014 Metsavaht takes inspiration from the cut, color, vibrancy and transparency of gemstones, translating these influences into a collection of innovative fabrications and original prints. The Osklen aesthetic represents the lifestyle of modern men and women in a world where the urban and the naturalistic, the global and the local, the organic and the technological co-exist. This balance is further exemplified by the brand's use of eco-friendly "e-fabrics". This season, Metsavaht utilizes ecological silk, formed by use of cocoons discarded by the industrial process and environmentally safe vegetable dyes. osklen.com twitter.com/Osklen twitter.com/osklenUSA ████████████ EVENT Mercedes-Benz Fashion Week New York Mercedes-Benz Fashion Week is New York City's single largest media event, taking place twice a year (February & September) at Lincoln Center, one of the most well known arts and cultural institutions in the world. The event provides top designers an international platform to showcase their collections to more than 100,000 industry insiders from around the world, including buyers, editors, retailers, celebrities, VIPs, and more. With more than 80 designers shows over 8 days, it is known as the premier event worldwide where style, beauty, supermodels, and celebrities come together to celebrate the best in fashion. mbfashionweek.com ████████████ PUBLICITY Photos added to the Creative Commons (cc) by Aveda Corporation aveda.com twitter.com/aveda ███████████████████████████████████ Images licensed with the following Creative Commons license on September 12, 2013 creativecommons.org/licenses/by/2.0/deed.en_CA ████████████ Mainstre.am Mainstream makes images available to the independent press, the mainstream press, open media such as Flickr, Creative Commons, and Wikipedia. We will soon launch with a service for content creators, publicists, and publishers around the world. mainstre.am ████████████ Contact Questions can be sent to: Tamara McCartney (Assistant Producer) twitter.com/tamaramccartney and Jason Hargrove (Founder) twitter.com/jasonhargrove jasonhargrove.com

2008 Millennium H3-45 - Double Slide - SOLD

2008 Millennium H3-45 - Double Slide - SOLD

A few nice sell celebrity photos images I found:

2008 Millennium H3-45 - Double Slide - SOLD sell celebrity photos
Image by MillenniumLuxuryCoaches 2008 Millennium H3-45, #0683 Slides: 2 Year: 2008Mileage: 23,602 Make: Millennium Engine: Detroit Series 60 Model: H3-45 2 Prevost Slides Trans: Allison 6 Speed VIN: 2PCV3349261710683 Type: Prevost Exterior Colors: Black â€" Blaze Gold â€" Gold Beige â€" Bordeaux Red Entry/Helm: â€" St. Cecilia New Venetian Granite entry w/no slip brass strips â€" matching Bone leather on Pilot and Co-pilot seats with Black Stingray inserts - eight-way power adjustments â€" massage and heating - Hunter Douglas power cell shades â€" power air-slide step cover â€"Burlwood veneer console â€" Karadon solid surface counter tops â€" color and adjustable back-up monitor â€" AM/FM CD player - Pioneer N3 Navigation system - cruise, tilt steering wheel - dash and aux dash A/C â€"auto leveling system - Allison transmission retarder â€" Uniden CB â€" Crestron Audio/Visual controls near pilot seat - 15” Co-pilot LCD Salon: Beautiful gold colored Chenille sofa â€" 2 leather recliners with built in footrest and occasional table â€" Fabrica beige carpet with winding St. Cecilia New Venetian granite walkway - designer fabric window treatments w/ - 42" plasma TV on fold down liftâ€" Hunter Douglas power cell shades â€" (4) roof AC’s â€" Denon surround sound system â€" DVD - VCR - In-motion SAT system Galley: Adjustable J-Lounge with Dark Brown Leather seat and Gold Chenille fabric backrest - large storage drawers below â€" Karadon Solid surface counter tops â€" Motorized extendable counter top - stunning crushed glass tile backsplash â€" Olive Ash Burl wood veneer cabinetry - Advantium Microwave/convection oven â€" St. Cecilia New Venetian granite floor w/ glass tile inserts â€"- Hunter Douglas power cell shades - Franke Beach galley sink â€" Fisher Paykel dish drawer - 2 burner Princess stove top â€" 22.2 cubic ft double door with freezer drawer refrigeratorâ€" large pull out pantry - glass display cabinets. Bath/Passage: Large full hanging closets with shelves in hallway â€" Stacked Bosch Washer/ Dryer â€" separate private lavatory with vanity â€" St. Cecilia New Venetian granite shower w/glass tile floor and wall design and seating bench â€" large main vanity with Karadon solid surface countertop and beautiful vessel sink - mirrored ceiling with rope lighting - additional cabinet storage - exhaust fan - privacy door front and back Stateroom: Mirrored ceilings inlays with rope lighting - ceiling fan â€" custom made designer bedding and collection of décor pillows â€" electric shades - 32” plasma TV â€" Denon surround sound system - DVD, VCR - Satellite system - camera door bell and monitor â€" Crestron touch screen station â€" large hanging closet and bank of drawers in rear. Exterior: Stainless Steel accents - 4 air horns â€" Chrome wiper blades - S/S chrome mirrors with heat - front lower S/S inserts - driving lights with S/S trim - polished wheels with chrome lug covers - bay lights â€" LED exterior side lighting - mud flaps with S/S trim and stiffeners S/S exhaust on Detroit - rear S/S package - 4 Zip Dee power awnings - painted engine â€" powder coated piping and air filter housing - Driver’s side: Bay #1 Full open bay, Bay #2 1/4 storage bay with 2 drawers, Bay #3 drawers, Bay #4 battery and Inverter bay, Bay #5 plumbing bay. Passenger side: Bay #1 open for storage, Bay #2 entertainment package with 32” LCD TV & Bose Wave radio, refrigerator and drawer storage, Bay #3 generator, Bay #4 Aqua Hot and Infrared LP Grill, Bay #5 plumbing bay â€" Bays 1, 2, 3, 5 are heated Tanks: Diesel-235 Grey-100 Fresh-200 Black-100 Systems: Powertech 17.5 KW generator â€" 270 amp alternator â€" (8) 8D house batteries â€" (4) Outback 3500 watt inverters â€" (4) roof AC units - Aqua Hot with 3 zones - Tracstar In Motion Satellite Systems â€" 60’ Glenn Denning power shore cord - water manifold - built in 1550 psi pressure washer - heated granite floors â€" Lutron Homework’s operating system with (6) Crestron touch screen controllers (controls functions including: lighting, shades, audio/visual, water management, heating, generator, and awnings While every attempt has been made to provide an accurate equipment listing and mileage statement Millennium is not responsible for errors or omissions.

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Cool Shop Celebrity Style images

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Nikki Phillips shop celebrity style
Image by Eva Rinaldi Celebrity and Live Music Photographer Mercedes-Benz Fashion Week; Cruise Bar hosts famous fashion event; MBFWA business wheels in motion Cruise Bar Hosts Fashion Week... When it comes to style the Cruise Bar and Restaurant is a perfect host partner for the prestigious Mercedes-Benz Australian Fashion Week. For the first time in many years, Cruise Restaurant is open to the public everyday of fashion week for lunch and dinner. Fashion Week is Sydney’s premier fashion and lifestyle event showcasing some of our most talented and contemporary designers. The beautiful waterfront location of Cruise Bar in Circular Quay is an ideal location to enjoy gourmet food, decadent wines and delicious cocktails while enjoying the cultural surrounds that is Fashion week. For more information visit their official website. Mercedes-Benz Fashion Week: Business, fashion, beauty, deals and gossip... Sydney will be enjoying a bevy of catwalk shows and party like events as Mercedes-Benz Fashion Week Australia commences tomorrow. But unlike the increasing number of fashion festivals across the country where people can buy tickets to events, MBFWA is invitation only. Today was media registration day, which was quite an event in its own right. Over five days, fashion designers show their latest collections to media reps, celebrities and retail buyers, and the response can be paramount to the bottom line. This year happens to mark Mercedes-Benz’s return to Fashion Week as the title sponsor, which many media and fashion commentators have welcomed. “The strong link between Mercedes-Benz and fashion was initiated in Australia with the launch of Mercedes-Benz Fashion Week in 1995, so it’s come full circle,” advised Mercedes-Benz senior manager of corporate communications David McCarthy. The car maker’s Fashion Week events have spread around the world to places such as New York and Berlin, and to Swim Fashion Week in Miami. The Mercedes-Benz’s sponsorship deal was not exactly a secret last year as Rosemount’s (wine) five-year run came to an end. The new deal is understood to be valued at million over three years but McCarthy says the details are confidential. MBFWA comes with a many change. A key change from the festival organisers is that IMG Fashion have reduced the price of on-site venue fees. A trend over the past few years. This year, it set back exhibitors ,250 to use the newly returned Tent at the Overseas Passenger Terminal as a catwalk venue, 00 to be a part of Fashion Week but show off-site and between 00 and 00 to showcase collections at The Rocks Pop-Up suites. Two of the festival’s biggest names, Josh Goot and Dion Lee, pulled out a fortnight before their respective shows. The designers who have fallen by the wayside in the lead-up to the five-day event have either opted to concentrate on upcoming overseas shows (Lee), to focus on getting collections out to coincide with northern hemisphere seasons (Goot) or have chosen to disregard Fashion Week from the get-go, with Fairfax Media pointing to Alex Perry as the example. For Melbourne Business School associate professor of marketing Mark Ritson, having Australian designers drop out is a “tricky” scenario. “On the one hand, you have to respect any Australian designer focused on building their reputation overseas,” he says. “We are perilously under-represented in Paris and Milan. “But at the same time, a designer has to be careful of burning branding bridges back home. That said, if Goot or Lee make it in Europe they’ll be welcomed back home in 2013 with open arms.” Fashion Week is serious business. Alongside Mercedes-Benz, sponsors that have signed on this year include DHL, EYE, HP, Maybelline NY, Redken, Shangri-La Hotel Sydney, Pentax, Keystone Hospitality and Getty Images. The NSW government, Destination NSW and Austrade are also supporting the event. In addition, designers are obtaining their own sponsorships. Jayson Brunsdon’s show, for instance, is being presented by Myer and sponsored by Qantas, Woolmark, TRESemme, MAC Cosmetics and Joh Bailey. Couture designer Johanna Johnson is the virgin Australian designer to showcase her collection at the prestigious Mercedes-Benz Presents show, which has previously featured big fashion names such as Herve Leger by Max Azria, Carolina Herrera and Badgley Mischka. “To do [the Presents show] during our first year back was a priority,” McCarthy says. Johnson recently found international success, with Hollywood actresses Christina Hendricks and Maya Rudolph wearing her feminine creations on the red carpet. The show will have the same feel â€" glamour, lots of hand-beading and detailed finishes. “I hadn’t really considered doing it and was focusing more on overseas expansion this year,” Johnson says. “But we’re having so much feedback from Australians wanting to know more now, it will be really good to showcase our luxury lifestyle line and red carpet ready-to-wear.” She initially signed on to show in the smallest of the three catwalk venues, the Box, but had to move the show to the Tent (the biggest) as the number of outfits she wanted to parade expanded. “It’s our debut show so we want it done as well as it possibly can be,” she says. Australian accessories giant Oroton is launching its first ready-to-wear collection. But for creative director Ana Maria Escobar, the clothes are there to show off the accessories â€" be they handbags, jewellery or shoes. “The biggest thing is when I walked into the stores, I saw they needed something soft to highlight the accessories,” she says. Customers can expect “understated quality” from the new Oroton clothing range. “To me, functionality is important,” Escobar says. “So are the materials . . . it can be a simple singlet but made out of really beautiful silk or customised fabrics. There’s a tone of heritage as well.” While Oroton views Fashion Week as important, Escobar says there is also “life beyond those 15 minutes on the catwalk”. For the retailer, it’s about reminding people of the brand. “We want to talk a little louder about the product we design,” she says. “Fashion Week gives us that space without having to scream.” This year, a great spread of overseas buyers will be in attendance, many from online retailers such as Net-A-Porter, My Wardrobe, Shopbop, Moda Operandi and ASOS. Department store Harvey Nichols and Hong Kong-based Joyce will also have buyers present. The retail picture in Australia is not particularly strong, and IBISWorld analysts are predicting growth for the local rag trade over the coming financial year will be flat at just 0.5 per cent. IBISWorld general manager Karen Dobie says the high Australian dollar is a double-edged sword for retailers, as local vendors can buy overseas at a favourable rate, but increasingly tech-savvy competition is straining profit margins. New to MBFWA: Dylan Cooper; Flowers for a Vagabond; Toi et Moi Sydney; By Johnny; Oroton; Watson x Watson; An Ode to No One; Jenny Kee; Aje; Roppa Pemmaraju; Bless’d Are The Meek and Nana Judy Not present this year: Dion Lee; Josh Goot; Alex Perry; Arnsdorf; Morrison; Friend of Mine; Flannel; Karla Spetic; Lover; Therese Rawsthorne; Ms Couture; Rachel Gilbert; Little Joe Woman (voluntary administration); Nookie; Amber & Thomas; Marnie Skillings; Kate Sylvester; Shakuhachi; Bianca Spender; Dhini; Camilla & Marc; White Suede; Yeojin Bae; Lisa Blue; Limedrop; Stolen Girlfriends Club; Alistair Trung; Saint Augustine Academy (which shut up shop late last year) Returning to the show: Romance Was Born; Camilla; Aurelio Costarella; Ksubi; Jayson Brunsdon; Akira Camilla... Since launching her label eight years ago, Camilla Franks continues to receive global recognition as an Australian designer who has a unique approach to creating colorful, playful and luxurious lifestyle fashion. Her unique ready-to-wear and resort wear designs are becoming highly sought after products, capturing the attentions of celebrities and fashionistas alike. Camilla’s global fan club (which includes the likes of Beyonce Knowles, Miranda Kerr, Kate Hudson, Lily Allen and Gwen Stefani) reached new heights 2 years ago when the queen of television, Oprah Winfrey, glowed in one of her designs while taping her ‘down under’ series. The general public and the fashion world gushed and stock sold out overnight. Camilla is definitely a brand on the move. So, how did Camilla Franks become one of Australia’s most iconic fashion designers? This iconic brand came to be whilst Camilla was exploring her passions for theatrical artistry. Here, she embraced her inner creative spirit to craft beautiful elaborate costumes for the various characters in her productions. It wasn’t long before the Australian fashion market caught eye of these imaginative, easy-to-wear designs and catapulted Camilla on this amazing journey. Today, Camilla has evolved from beach and resort fashion into ready-to-wear clothes that cater to all her client’s needs. Globally, Camilla has begun weaving into the various fashion niches, resulting in a kaleidoscope of high-end editorial and extending an already growing customer database. Over eight years, Camilla has produced nine collections: these include the highly anticipated 2011/12’s Spring Summer Collection, Labyrinth; which has received significant media attention and 2012’s Autumn Winter Collection Caravanserai, Camilla’s second winter season. The success of her brand is derived from Camilla’s philosophy that “all women have the right to look and feel beautiful no matter their age, colour, size or origin”, this is also a testament to the company’s popularity and growing awareness. Camilla is a brand that celebrates women, self-expression, beauty and individuality. The signature ‘Camilla’ piece is a statement of brilliant colour, graphics and material rhythm. It is a celebration of shapes that can be tailored to individual styles and that follow global trends. Mercedes-Benz Fashion Week Australia Announces Preliminary Line-up... Mercedes-Benz Fashion Week Australia Announces Preliminary Line-upfor Spring/Summer 2012/13 Collections Sydney, Australia (February 29, 2012) Mercedes-Benz Fashion Week Australia is excited to announce cult label Ksubi, celebrity favourite Camilla, Zimmermann, Lisa Ho, Toni Maticevski, Aurelio Costarella, Jayson Brunsdon, Ellery, and Carl Kapp will be amongst the line-up of designers showcasing their Spring/Summer 2012/13 Collections at Sydney’s Overseas Passenger Terminal, April 30 to May 4, 2012. "MBFWA is a fantastic opportunity for emerging Australian designers to join already well established designers in showcasing their creations not just in venues that people expect but in venues and spaces that will reflect the diversity and vibrancy of the Australian fashion scene. The shows, presentations and locations demonstrate that MBFWA has a flavour and style that can more than hold its own around the world" says Gavin Allen, General Marketing, Mercedes-Benz Australia/Pacific. A stand out on the 2012 schedule is expected to be Romance was Born. The label is showcasing their polished ready to wear collection combining art and wearable fashion in a sophisticated Spring Summer range. Johanna Johnson will also attract hype as she hosts an intimate salon show for her debut at MBFWA. Mixing old Hollywood charm and modern simplicity, Johnson is renowned for her recent Oscar’s role dressing starlets in her eponymous label. Iconic Australian brand, Oroton will also debut on the runway at MBFWA for the first time demonstrating the brand is as skilled at creating Ready to Wear women’s wear as well as their well known luxury accessories. Joining this incredible line up of iconic designers are Magdalena Velevska, Alice McCall, Lisa Maree, Gary Bigeni, Bec and Bridge, Miss Unkon, Bowie, Kooey Australia, Michael Lo Sordo, Kirrily Johnston and Talulah. New talent showcasing for the first time, Watson x Watson are sure to excite international buyers and media with their collections, providing new ‘ones to watch’ for our global audience. Watson x Watson focus on everyday luxury and easy glamour, with a relaxed, sexy appeal that has become synonymous with Australian fashion. Other newcomers joining the MBFWA family: We are Handsome, Aje, Elliot Ward Fear, Roopa Pemmaraju, Flowers for a Vagabond, Suboo, An Ode to No One and Project Runway Australia winner Dylan Cooper and alumni by Johnny. Designers involved in the 2012 New Generation, Fashion Design Studio and Raffles emerging talent shows will be announced shortly. “We’re extremely excited by the response from designers and brands and are looking forward to showcasing the new seasons Spring Summer Collections in our world class facilities on site as well as sharing more of the city of Sydney’s wonderfully unique locations with our expanded off site program of shows and presentations’” says Jarrad Clark, Global Production Director, IMG Fashion. Leveraging our global network, Mercedes-Benz Fashion Week Australia is introducing new showroom spaces, exciting venue upgrades and unique presentation spaces to ensure our line up of designers have innovative way to communicate their artistic vision for 2012. For the first time on Australian soil, many designers will showcase their collections via a studio style presentation space known as The Box. Having established itself at MBFW in NY and Berlin, designers are redefining how they showcase their collections using this blank canvas. Australian designer Dion Lee recently used a presentation style space to showcase his collection at London Fashion Week and wowed crowds with his use of lighting to create drama and engagement around his collection without the confines of the runway. 2012 will also see the much anticipated return of The Tent. Synonymous with international fashion events, the sheer scale of The Tent showroom set on the Sydney harbour foreshore will create an incredible billboard for MBFWA and the Australian Fashion Industry for our attending local and international guests. Key buyers will have the opportunity to get up close with designer collections during the week via a unique offering of Designer Showrooms via The Rocks Pop-Up Suites, utilising retail spaces within The Rocks historical precinct, designers will be able to house their collections off runway, and meet buyers and media in one on one appointments. It is here that designers are encouraged to create consumer offerings around the Fashion Week schedule to create more retail opportunities for our participating designer brands. MBFWA hosts the world’s most influential buyers, media and industry players during the 5 day event and bring Sydney city to life with Fashion Week fever. With the support of our official partners, and showcasing designers, the 2012 season will be a standout year showcasing the creative energy and raw talent that Australia has to offer. Title sponsor Mercedes-Benz is proudly supported by Government partners Destination NSW and Austrade, Maybelline New York, DHL, HP/Intel, Redken 5th Avenue NYC and EYE and as well as media outlet Getty Images. Mercedes-Benz Fashion Week Australia is an IMG event. The Spring Summer 2012/13 Collections will take place April 30 to May 4, 2012, Press and Industry Registration opens March 1, 2012. For more information please visit us online at mbfashionweek.com Follow us on Twitter @MBFWA and on the Mercedes-Benz Fashion Week Facebook Websites Mercedes-Benz Fashion Week (Australia) australia.mbfashionweek.com IMG Worldwide www.imgworld.com Cruise Bar www.cruisebar.com.au Eva Rinaldi Photography Flickr www.flickr.com/evarinaldiphotography Eva Rinaldi Photography www.evarinaldi.com

Krynica, Stary Dom Zdrojowy shop celebrity style
Image by Małopolski Instytut Kultury fot. Marcin Klag II Małopolskie Dni Dziedzictwa Kulturowego, wrzesień 2000 Krynica Stary Dom Zdrojowy Krynica jest jednym z największych i najbardziej znanych polskich uzdrowisk. Rozsławiły ją wody lecznicze, a także odbywający się tu Europejski Festiwal im. Jana Kiepury, który przyciąga latem do Krynicy miłośników opery, operetki i baletu. Krynica pojawiła się w zapiskach w 1547 r., jako osada Krzenycze. Była wówczas niewielką, podgórską wsią. Już w 1721 r. jezuita Gabriel Rzączyński pisał o właściwościach leczniczych tutejszych wód, które stały się jednak znane dopiero pod koniec XVIII w., kiedy to wzrosło zainteresowanie górami. W 1790 r. profesor Uniwersytetu Lwowskiego i znawca Karpat, Baltazar Hacqueta, zbadał tutejsze wody mineralne i spopularyzował ich walory. Na początku XIX w. Krynicę uznano urzędowo za zdrój kąpielowy i w 1807 r. uruchomiono pierwsze łazienki kąpielowe. Budowano drewniane pensjonaty, restauracje i kawiarnie, sklepy, powstał teatr, a w 1889 r. Krynica otrzymała prawa miejskie. W 1876 r. uruchomiono linię kolejową z Tarnowa do Muszyny, a w 1911 r. doprowadzono ją do samej Krynicy. Bywali tu Jan Matejko i Henryk Sienkiewicz oraz Helena Modrzejewska. W latach międzywojennych Krynica była ekskluzywnym kurortem, a swoją niezwykłą popularność zyskała po II wojnie światowej. W 1884 r., z inicjatywy hr. Alfreda Potockiego, podjęto decyzję o budowie Dworca Zdrojowego, czyli obecnego Starego Domu Zdrojowego. Zarządzająca wówczas Krynicą lwowska Dyrekcja Domen i Lasów rozpisała międzynarodowy konkurs na projekt tegoż domu gościnnego. Pierwszą nagrodę przyznano krakowskiemu architektowi, Janowi Zawiejskiemu (1854-1922). Stary Dom Zdrojowy (nazywany tak po wybudowaniu w 1939 r. Nowego Domu Zdrojowego) jest wybitnym dziełem architektury neorenesansowej. Wzniesiono go jako murowany i tynkowany, dwupiętrowy budynek z ryzalitem środkowym i dwoma bocznymi. Ryzalit środkowy, pełniący rolę reprezentacyjną, mieści klatkę schodową prowadzącą z parteru do sali balowej na piętrze. We wnętrzach Starego Domu Zdrojowego znajduje się także restauracja, cukiernia, kawiarenka i sklep oraz ponad 200 pokoi. W elewacji tylnej powstały na parterze otwarte werandy wsparte na ozdobnych, żeliwnych słupach. Po dobudowie dwóch skrzydeł w latach 1923- -1924, budynek zyskał plan litery U; jego modernizacji dokonano w latach 1950-1970. Zewnętrzny wygląd Domu Zdrojowego nie uległ większym przekształceniom, wnętrza zaś zachowały wspaniały wystrój architektoniczny z końca XIX w. --- Old Spa Lodge in Krynica Krynica is one of the oldest and better-known Polish spas. It was made famous by the medicinal properties of its mineral waters, and by the Jan Kiepura European Festival, which brings opera, operetta, and ballet lovers to the resort every summer. Krynica features in historical records in 1547 as the Krzenycze settlement, back then merely a tiny village near the mountains. As early as 1721, a Jesuit of the name of Gabriel Rzączyński wrote about the healing properties of the Krynica waters, which however became famous only towards the end of the 18th century, at the time when mountain trips became fashionable. In 1790, a professor of Lviv University and connoisseur of the Carpathians, Baltazar Hacqueta, tested and advocated the use of the waters. At the beginning of the 19th century, Krynica was officially proclaimed to be a balneotherapy resort, and in 1807, the first baths were opened. Wooden inns, restaurants, cafes and shops grew around them, even a theatre was established, and in 1889 Krynica received municipal status. In 1876 a railway line was opened between Tarnów and Muszyna, and it 1911 it was extended all the way to Krynica. Among frequent visitors to the spa, there were such celebrities as the painter Jan Matejko, writer Henryk Sienkiewicz, and actress Helena Modrzejewska. Between the world wars it was a chic resort, and after the second world war, its popularity grew universal. In 1884, Count Alfred Potocki initiated the construction of the Spa Hostelry, today’s Old Spa Lodge. The Lemberg (Lviv) Domains and Forests Administration, which governed Krynica at the time, held an international competition for the design of the hostelry. Kraków architect Jan Zawiejski (1854-1922) was the winner. The Old Spa Lodge (as it came to be called after the construction of a new one in 1939) is a remarkable building in neo-Renaissance style. The two-storey brick edifice is covered with plaster, with projections at the centre and the sides. The central projection contains a grand staircase leading from the ground floor to a ballroom on the upper floor. In addition to over 200 rooms, the interiors accommodate a restaurant, a cake shop, a café, and a boutique. In the back elevation, at ground floor level, open verandas are raised upon decorative, cast-iron steles. With the addition of two side wings between 1923-1924, the building received the shape of the letter ”U”; it was renovated and upgraded between 1950-1970. The outer appearance remained largely unchanged, and also the interiors retain their original, grand late 19th century style.

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